I don’t know about you, but I absolutely love when a film adds an animal friend to the mix – whether it’s Gertrude the duck in Journey to the Center of the Earth (1959), Asta from the The Thin Man series or Baby, the music loving leopard. Animals add an element of innocence, fun, or danger and can draw emotions from us in a way that a million words of dialogue cannot.
If you’ve been hanging around my blog for any amount of time you’ll realize that I admire The Wizard of Oz, so when I saw that this book was available I knew I needed to add it to my collection. Let me tell you, I wasn’t disappointed.
In this charming book, you’ll discover the life of Terry, the little dog that nobody wanted, who became one of the movies’ most memorable pups and a beloved icon.
Before there was The Dog Whisperer, there was Carl Spitz – a German immigrant who changed the way we understand and train our dogs. When he started his Hollywood Dog Training School in 1927, dog training for the public was according to Spitz, “considered, in general, nonsense.” Spitz’s foundation for training was simple: firm, affectionate direction. As a military and police dog trainer, Spitz had devised a system of silent dog commands to be used by the deaf which he would later use for directing canines before the cameras.
Terry the Cairn Terrier was brought to Carl and his wife’s home for training (housebreaking), but after she completed her training Terry’s owners never paid their bill. The Spitz’s adopted little Terry as their own. She became a loved member of the family and eventually, a bonafide star – rechristened as ‘Toto.’
what did i enjoy?
The format – Throughout the telling of this heartwarming story are many visuals, presented in a scrapbook style highlighting Toto’s career. Production photos, photos of her life at home, press clippings, and memorabilia are heavily scattered throughout its pages.
Worth the price of admission alone are the inside covers inscribed to Toto by her many co-stars. My favorites have to be Judy Garland’s – “Dear Toto, I think I’ll miss you most of all (don’t tell Ray!)” and Jack Haley’s – “You warm this Tin Man’s heart!”
The star stories – In addition to Oz, Toto was cast in Fury (1936) with Spencer Tracy and Bright Eyes (1934) with Shirley Temple, to name a few. The account of Toto’s first meeting with Clark Gable is particularly memorable.
In addition to discussing Toto’s career and life story, the book also talks about the other dogs in Carl Spitz’s kennel and the movies they were featured in. For instance, Buck, who starred with Gable in Call of the Wild (1935), was the first star to emerge under Spitz’s Hollywood Dog Training School. Another notable is Prince from Wuthering Heights (1939).
The perspective – 99% of the time when reading about Old Hollywood I’m reading about humans. It’s interesting to change it up and see how a dog gets ready for a day of shooting, the problems they encountered while filming, or how the trainer prepares them for a screen test.
what would i change?
Nothing! I only wish it were longer.
who is this book for?
Any fan of The Wizard of Oz, classic movies, “rags to riches” stories, or dogs in general would enjoy this book.
Since this book is written from a dog’s perspective and Terry is telling you her story, I think this book would be great for kids who are showing an interest in classic movies, Oz fans in particular.
want to know more?
In the introduction the author says how he was driven to write the book because at the time Toto did not even have an Imdb page! As of this writing, this book appears to be the only book dedicated solely to her. It was published in 2001.
I have found some information on Toto in The Making of The Wizard of Oz by Aljean Harmetz as well as The Wizardry of Oz: The Artistry and Magic of the 1939 M-G-M Classic by Jay Scarfone and William Stillman (I own the 2004 expanded edition).
Growing up in a home where classics were loved and appreciated, I remember being quite surprised when my mother told me that the actress who played the green faced, flying monkey commanding witch in The Wizard of Oz in actuality was a dear, sweet lady who loved children and was at one time a kindergarten schoolteacher. That dichotomy has always intrigued me.
When the What a Character! Blogathon came around, I knew exactly who I wanted to write about. Margaret Hamilton terrified children (this one included!) from all over the world, yet she was as different from her onscreen persona as one could possibly be. As a warm hearted woman, consummate professional, and caring mother, she devoted her life to the arts, the well being of animals, and the education of children.
With a clipped way of speaking and a short, curt manner, Margaret is usually seen playing maids, spinsters, and witches. Her characters possessed a strong backbone with a sharp wit and a commanding, oft times, foreboding presence. On a few occasions she did play against type as a trusting friend, a warm companion, and fittingly, a schoolteacher.
Born in Ohio in 1902, Margaret Hamilton was drawn to acting an early age, participating in children’s theater and making her stage debut when she was twenty-one. Urged by her parents to become a teacher, Margaret earned her degree in education from Wheelock College in Boston and was a kindergarten teacher for six years before returning to her love of acting. Margaret also found personal happiness during this time, marrying Paul Meserve in 1931.
After appearing in productions for several years at the Cleveland Playhouse, Margaret landed a part in the Broadway play Another Language (1932). MGM bought the property and brought most of the cast members to the studio to produce the movie of the same name marking Margaret’s screen debut (1933).
Three years later, Margaret and Paul had a son, Hamilton. When the couple divorced in 1938, Margaret was left to single-handedly provide for both her and her son. Never becoming a contract player at any one studio (except for one year at RKO), Margaret freelanced her services in order to work as often as she could for the price that she wanted.
By the time MGM was looking for cast members for The Wizard of Oz, Margaret had already done six movies with the studio. Having loved the story ever since she was young, she was delighted when she got the call that they wanted her for the movie. The question remained: which role did they want her for?
“And I asked him [her agent] what part, and he said, ‘The Witch,’ and I said, ‘The Witch?!’ and he said, ‘What else?'”
Margaret Hamilton as The Wicked Witch of the West is on the screen for a total of twelve minutes; but that was more than enough to cement in the minds of everyone the world wide over, since 1939, what a witch looks like, sounds like, and acts like. The gleeful, maniacal cackle that we can never forget, the nasal intonation of her voice, the black as night dress and tall pointed hat, and the emerald green face and hands all stem from Margaret’s flawless portrayal. The witch is larger than life, menacing and dangerous, and her sarcastic, evil spirit provides a perfect foil for the innocent, optimistic Dorothy. Margaret’s performance in this film made her an icon and would define her for the rest of her life.
Several times, Margaret reunited with her Oz co-stars, which never fails to make this fan happy. In 1942, she and Toto took to the screen in Twin Beds. Margaret plays the maid and Toto, the couple’s beloved pooch, and in George White Scandals (1945), Margaret tries to keep her brother, Jack Haley, (the Tin Man) from marrying his sweetheart.
Margaret remained lifelong friends with Ray Bolger, and the two starred together in the Broadway play Come Summer (1969) and were cast mates in the fantasy film The Dreamer (1966).
In 1968, Judy Garland appeared with Margaret on the Merv Griffin show, and Judy asked Margaret to reproduce her famous cackle. The response from the audience says it all.
Although thrilled to be a part of one of the most loved movies ever made, Margaret disliked the fact that so many children had been frightened of the witch. Feeling responsible for their terror, she sought to rectify this by appearing on Mr. Rogers television show, Mr. Rogers’ Neighborhood, in three episodes from 1975-1976. You can watch one of her appearances on the show below. It is simply charming.
In 1976, Margaret appeared on Sesame Street reprising her role as the Wicked Witch of the West complete with green face and costume. I’m sure she never expected the results. Parents and children wrote letters to the producers saying that they wished the witch to never appear on the show again. It caused the children difficulty getting to sleep because of how deathly afraid they were of her. Since then, the episode has not been broadcast on television or seen anywhere else. Read some of the letters that recently surfaced and more about Margaret’s controversial appearance here.
Hamilton Meserve said his mother, “was very concerned about the effect it [the witch] had on small children. She was very aware of the impact it had on kids. Time and again she would literally get down on her knees and have kids touch her face. She would say, ‘I’m a nice lady’ and that the witch was all ‘make-believe.'” Knowing this, I’m sure that Margaret had a hard time when she was not accepted by children because she did love them so much; however, I do think she truly enjoyed her character and didn’t have any regrets.
Working in a range of genres, from screwball comedy to horror, Margaret appeared in more than seventy films in a fifty year career spanning radio, television, and stage. Possessing a great sense of comic timing, she held her own alongside some of the greatest comedians in film including W. C. Fields and Mae West (My Little Chickadee), Buster Keaton (The Villain Still Pursued Her), Harold Lloyd (The Sin of Harold Diddlebock), and Abbott & Costello (Comin’ Round the Mountain). She also worked with some of Hollywood’s top directors: Fritz Lang (You Only Live Once); Busby Berkeley (Babes in Arms); William Wellmann (The Ox-Bow Incident); and Frank Capra (Riding High and State of the Union).
80 years after Oz, the life story of Margaret Hamilton continues to enchant and inspire. This past summer a play premiered in Sag Harbor, New York, entitled My Witch: The Margaret HamiltonStories. How I wish I could have seen it! Here’s the official description:
“The amazing tale of how a gentle kindergarten teacher from Cleveland scared the living daylights out of every last one of us…and the brains, heart, and courage it took to be America’s character woman…If there’s one movie we all share it’s ‘The Wizard of Oz,’ but it is time to pay attention to the woman behind the cackle. Spend 85 wonderful minutes with Margaret Hamilton, for she has true and terrific stories to tell.”
Margaret Hamilton will always be known as the green witch who scared the wits out of children worldwide, but she was much more than that. She was a wonderful actress, devoted mother, and a determined woman who was driven by her passions. She deeply cared for others, gave generously to charities, and became a spokeswoman for the causes she believed in.
Margaret was a member of the Beverly Hills Board of Education from 1948-1951.
In 1972, Margaret got to “give us Auntie Em” when she voiced the character in the animated feature Journey Back to Oz.
This post is my contribution to the 8th Annual What A Character! Blogathon hosted by Paula’s Cinema Club, Once Upon a Screen, and Outspoken & Freckled.Thanks, ladies, for letting me participate! Be sure to stop by their blogs! To read the rest of the entries about other talented, colorful character actors, click HERE for day 1, HERE for day 2, and HERE for day 3.
Thanks for reading and for visiting The Classic Movie Muse!
Gone with the Wind. When I first saw it, I fell in love. It had everything a great movie should have: an amazing cast; costumes that took my breath away; elaborate sets; not to mention a glorious score; and a story that is both heartbreaking and strangely encouraging at the same time. Some say there will never be another movie to its equal. Some think it’s vastly overrated. It is certainly controversial by today’s standards, but no matter one’s preference it has certainly infiltrated our culture and become part of our vernacular. Gone with the Wind is here to stay.
Beyond the vastness of the movie and the legend comes a true story about an author who had a chance meeting with the woman who happened to play Carreen in Gone with the Wind. You may also know her as Andy Hardy’s long suffering girlfriend in the Andy Hardy series. Her name? Ann Rutherford. In this delightful biography and tribute, author Phillip Done takes us through his encounters with Miss Rutherford, his visits to her home, and the wonderful stories she lovingly tells about her life as an actress in Old Hollywood.
Reading this book is like sitting down with Miss Rutherford and listening to her recall her life’s story. The book is so warmly written, and her adorable, vivacious personality jumps off its pages. For instance, she refers to Gone with the Wind as The Wind. Miss Rutherford had a wonderful sense of humor, a joy for life, and by the end you feel as if you have gained a dear friend.
For a number of years, Ann was under contract to the studio who boasted they had “more stars than there were in the heavens.” Ann’s recollections of the inner workings of her most beloved MGM and the glittering actresses who worked there are fascinating. Some of the stars she mentions are Greer Garson, whom she called Greer Dear, Lana Turner, and she reflects on the first time she heard Judy Garland sing (as part of The Gumm Sisters).
I particularly enjoyed reading the behind the scenes tidbits on The Wind: how Ann got the part; how she influenced Selznick’s choices in the makeup department; her memories of filming; her opinions of her cast mates; and her exciting experience of attending the premieres and Oscar ceremony.
I also appreciated Ann’s never ending commitment to the promotion of the picture by donating her memorabilia to the Marietta Gone with the Wind Museum in Atlanta and proudly attending various events honoring the film throughout her life.
The story of how Ann got into the movies is quite fun in itself, and the lengths she went into preparing for her first roles are both astounding and hilarious; however, that just barely scratches the surface of what this book contains. Throughout her career, Ann worked in radio, television, and built up an extensive filmography. Her leading men included John Wayne, Gene Autry, Jimmy Stewart, Errol Flynn, and Red Skelton.
The Lawless Nineties (1936) with John Wayne; Of Human Hearts (1938) with Jimmy Stewart; The Adventures of Don Juan (1948) with Errol Flynn
Several surprises lie in wait for those who go on to read The Charms of Miss O’Hara. I don’t want to spoil the fun by giving everything away!
For this classic movie fan, this book is paradise. I’ve read my copy twice already, and I know that I will read it again and again. It’s like stepping into a time machine and going back into the glorious, magical days of Old Hollywood led by a friend who knows all the people you’ve always wanted to meet and who’s been to the places you’ve always wanted to go.
Thank you, Phillip Done, for such a wonderful book and tribute to an inspiring lady who was truly as charming as the title indicates.